
So it may come as a bit of a surprise to some people, but I’m a pretty big reader. I read everything I can get my hands on: books, magazines, The Huffington Post, The L.A./N.Y. Times & other music blogs. One blog that I try to read daily is Heather Browne’s Fuel Friends Blog. I can’t tell you how many new artists I have discovered by simply reading this fantastic blog. I do, however, have to take issue with something she recently wrote & while it may seem like an innocuous statement, I found it to be quite hyperbolic & pretty much baseless.
Josh Ritter is one of the most important songwriters of our generation, consistently producing breathtaking songs that are rife with symbolism, rich with meaning, and brimming over with the kind of heart that I want to have.
Most important songwriter’s of our generation? Really? Josh Ritter is a fantastic writer who regularly puts out great music, but most important of our generation? Not even close. He’s not even that well known. I do think he’s talented, but as far as his importance to music…I can’t understand how he is remotely important. He’s not standing up for anything, speaking out against injustices or even bringing something new to the table.
Important songwriters of our generation (I guess that’s applying to Generation X) would be more like Billie Joe from Green Day, whether you like his music or not with American Idiot he said some pretty unpopular things to many people & received quite the backlash for standing on principle. Another would be Jeff Tweedy who revolutionized the alt-country genre twice with Uncle Tupelo & then Wilco. Ryan Adams has such an amazing body of talented work that he is a better example of one the most talented writers of our generation.
This is the problem with today’s over-saturation of music. It used to be that everybody knew pretty much who everybody was, but now with everybody being slotted nicely into their own little groups, labels like, “greatest songwriter of our generation” are just tossed around without so much as a thought.
I contend that Josh Ritter is not very important at all. If he stopped writing music, sure it would suck, but would the world be that much worse off? Think about how shitty music has been since Ryan Adams decided to get married & be happy. Elliot Smith, who again I’m not a huge fan of, was one of the most important songwriter’s of our generation & that is prevalent in the number of artist’s who try to emulate his sound.
I find it slightly irresponsible to be so hyperbolic & I’m pretty surprised that someone usually so spot on with her exclamations would just spout off like that. It’s not innocuous, it’s not small, this our music, this is important to many of us who believe that this is a renaissance in music much like the ’60′s was the evolution. I love Heather’s blog, she is extremely knowledgeable in regards to music, but in this case just flat out wrong.
Girl in the War (Live at the Record Exchange) – Josh Ritter
Wings – Josh Ritter
Bandit (Live at the Record Exchange) – Josh Ritter
Levon Helm is one of my favorite artists ever since I first discovered his work with the Band. He has one of those old time folky voices, something similar to Doc Watson or Ronnie Hawkins. His new album Electric Dirt is his second solo album after his amazing first one Dirt Farmer & with covers like The Grateful Dead’s “Tennessee Jed” this will likely be another solid Americana effort from Levon.
Sony Legacy has put together a two-CD package that includes the artist’s performance at Woodstock and a studio album released by the artist in 1969. Quite a few of the Woodstock performances are being released for the first time. All five packages are available in the box set, or individually. This includes Santana, Janis Joplin, Johnny Winter, Sly & The Family Stone & Jefferson Airplane.
Anyone who regularly reads this blog knows that I adore Vince Guaraldi’s music. He is one of the best jazz pianists but, perhaps because he died so young or because of the Charlie Brown theme, music he is isn’t given the credit he deserves. He is on par with