Tag Archives: Pete Yorn

Top 15 Cover Songs of the Decade

It’s come to that time of the year/decade where innumerable lists will come out touting writer’s knowledge of music by saying what the best album, songs or artists of the decade/year are. Some are interesting reads, others are banal wastes of time & yet others are pretentious attempts at musical superiority while showing you have little knowledge about “real” music. It is this final category that Paste Magazine’s 30 best covers of the decade falls into.

Covers are a delicate subject with me. A cover song must be at least similar to the original. Otherwise, you’re not covering another artist’s song you’re simply saying you think they did a shitty job the first time around instead of paying homage. Jimi Hendrix did not cover Bob Dylan’s “All Along the Watchtower” he dissected it & made it better. Dylan provided the blueprint for Hendrix & Jimi ran with it. Dylan himself has said as much:

It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn’t think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day…I liked Jimi Hendrix’s record of this and ever since he died I’ve been doing it that way…Strange how when I sing it, I always feel it’s a tribute to him in some kind of way.

Paste has a reputation for thinking they’re better than everyone with obscure references to obscure songs & praising them from the mountain top as being immortal & themselves as fore bearers to the band’s success. Their list is full of songs that hold little relevancy to anyone except the artists themselves.

It’s a bit disgraceful to see a list of songs with The Polyphonic Spree at #7 with Nirvana’s “Lithium” or Calexico at #8 with Stereolab’s “Peng! 33”. What? Really? Stereolab was an obscure band from the ’90’s that never found success in part because they were bad at making music. The Polyphonic Spree is a band from today that suffers from the same problem. I’m all for opening eyes with new artists. I try to introduce new artists to the masses on this blog regularly, but to indiscriminately toss out labels like “best of the decade” is hyperbolic to the core.

There are a few I agree with on the list, but none above number 9 (they are 28, 20, 18 – which may be the best on their list, 10 & 9). In large part I think Paste is, once again, showing they’re rightly regarded as a magazine strictly for the arrogant hipster, who thinks he knows more about music than you. It’s like saying Sgt. Pepper is too commercial of an album to be the best of all time or the “Godfather” is too widely known to be the best film of all time. Everyone has their opinion & rightfully so, but when an opinion is there to show you how shitty your musical tastes are then it becomes a practice in musical bullying & I think it’s an abhorrent practice.

Music is there to spark conversation, to create unity, to educate, not belittle (unless you’re talking about Gangster Rap). Every time I give an opinion on this blog (or any other place I write) I try to give it context, not to dumb down my point, but to educate in one way or another. I happen to know a lot about music, mostly because I have no life, but also because it happens to be my passion. I do not claim to be the end all be all of musical critics. I’m simply a conduit to better understanding for those that have lives or seek some better form of musical knowledge.

So here is my list of the 15 best covers of the decade with short explanations as to why I enjoy them & why they’re great in my opinion:

#15 – Love Vigilantes – Voxtrot (originally: New Order)

A classic ’80’s song that is faithful to the original without being a complete replica. While expressing the emotion that many families are feeling, it is apropos of the moment in which we live.

#14 – Girls Just Wanna Have Fun – Ben Gibbard from Death Cab for Cutie (Originally: Cyndi Lauper)

Another ’80’s song many consider trite pop, but Gibbard turns it into something much more. An anthem of parental & societal oppression. The audience laughs but if you really listen to the lyrics you realize that it is a plea to stop worrying about social mores that tend to pigeonhole people into groups that have no true bearing on who they really are. A beautiful interpretation.

#13 – You Ain’t Goin’ Nowhere – Counting Crows (Originally: Bob Dylan)

Redone by many artists, this is faithful to the original from Bob Dylan’s Basement Tapes version with The Band. Marketa Iglova & Glen Hansard do a fairly competent version on the I’m Not There Soundtrack, but it really doesn’t compare to Adam Duritz belting this classic out.

#12 – The Long Way Home – Norah Jones (Originally: Tom Waits)

Tom Waits has that writing quality that makes everyone want to redo his songs. Norah Jones is a phenomenal songwriter in her own right & has the perfect voice for this Waits composition. There’s something to be said for a steel guitar & a Tom Waits song that just reeks of awesomeness.

#11 – Don’t Let Me Be Misunderstood – Cat Stevens/Yusuf Islam (Originally: Nina Simone)

While the Animals may have popularized this song, it was written for Nina Simone by Bennie Benjamin, Gloria Caldwell and Sol Marcus. The song correlates with Yusuf’s own struggles after he changed his name from Cat Stevens to Yusuf Islam & his subsequent inclusion on the Terrorist watch list in the early ’00’s.

#10 – Please, Please, Please Let Me Get What I Want – She & Him (Originally: The Smiths)

Zooey Deschanel & M. Ward covered this song for the 500 Days of Summer Soundtrack perfectly. The echo behind Deschanel’s voice creates a haunting version while staying succinctly true to the original. You can almost hear the anguish in her voice as she desperately emotes Morrissey’s plea for a change in his luck.

#9 – Glory Days – The Avett Brothers (Originally: Bruce Springsteen)

The issue I’ve always had with this song is that instead of saying fastball at the beginning he says speedball. When I hear Bruce say “He could throw that Speedball right by you.” it always makes me cringe as a baseball fan & someone who had a lot of friends who did a lot of drugs. That’s my only complaint, though, I love the song & the Avett’s doing it with a banjo, a kick drum & a tambourine is magical.

#8 – The Weight – Gaslight Anthem (Originally: The Band)

The seminal song in the Band’s career is faithfully done by the Gaslight Anthem’s lead singer Brian Fallon. There’s a lot to be said for a man & his guitar. Fallon has that kind of voice that is suited for a song such as this. It’s a story song, almost in the same vein as The Beatles “A Day in the Life”.

#7 – Sunday Morning – Beck’s Record Club (Originally: Velvet Underground & Nico)

When Beck started his Record Club project it was considered a bit of a lark (especially when I read he considered doing Digital Underground’s album Sex Packets in it’s entirety), but when you hear this song you realize otherwise. I have never been a fan of Beck’s music. I’ve interviewed him a number of times, smoked out with him & find him to be a fascinating person, but musically I’m not evolved enough to enjoy what he does, though I do recognize his talent. Be that as it may I do love this cover so much. When stripped down Beck’s voice is incredible.

#6 – Dancing in the Dark – Pete Yorn (Originally: Bruce Springsteen)

Another Springsteen song covered by a talented musician. Pete Yorn’s first album spoke to me so much that I don’t think I listened to another album for a month after it came out. Yorn with a piano slowly singing this mournful song about escaping the everyday doldrums of life. It’s something we can all relate to, especially in this context.

#5 – I Don’t Wanna Grow Up – Cold War Kids (Originally: Tom Waits)

Hearing the Cold War Kids acoustically is a sound to behold. Hearing them sing Tom Waits’ song about having to accept responsibility as an adult & wanting to stay a child forever is a moment. It’s much like when the Beach Boys released A Beach Boys’ Party where they covered a few Beatles songs among others & made it a sing along. This recording, while much less hokey, has that feel to it.

#4 – The Lonesome Death of Hattie Carol – Black Rebel Motorcycle Club (Originally: Bob Dylan)

While not completely factual this song still does speak to the injustice that was still going on in 1960’s America. Lead Singer, Peter Hayes, expresses the difficulty in remembering all the lyrics before he starts actually singing noting it is a Bob Dylan song. He doesn’t sing it with tonal precision which makes it even that much better. What he does give it is slightly more melody than Dylan (as many often have). The harmonica in the Bridge is not overstated or too intense to overpower the audience.

#3 – My Oklahoma Home – Bruce Springsteen (Originally: Pete Seeger)

When Bruuuuuuce decided to make a tribute album with all Pete Seeger songs I never thought it would work. I love just about everything Springsteen touches, but even this seemed like a stretch to me. I was wrong. The true merit of an artist is the ability to reinvent oneself & make it work. Dylan did it, the Beatles did it & Springsteen did as well. This song about the Oklahoma Dust Bowl holds as much connotation in today’s current economic climate as it did 80 years ago. No one today speaks of the hardships of the blue collar society like Bruce & before him there was no one better than Pete Seeger & Woody Guthrie.

#2 – The Drugs Don’t Work – Ben Harper (Originally: The Verve)

Ben Harper has a way of making songs better as with this Verve song about as Richard Ashcroft put it:

There’s a new track I’ve just written […] It goes ‘the drugs don’t work, they just make me worse, and I know I’ll see your face again’. That’s how I’m feeling at the moment. They make me worse, man. But I still take ’em. Out of boredom and frustration you turn to something else to escape.

Harper brings a subtle vulnerability to this track as if he were actually speaking this to a loved one. The Verve version was a little more gruff, but beautiful nonetheless. Richard Ashcroft is a highly underrated lyricist & never was that made more evident than in this version.

#1 – Long, Long, Long – Jim James (Originally: The Beatles)

Earlier this year Jim James of My Morning Jacket, quietly released a 6 song EP under the moniker Yim Yames covering some of his favorite George Harrison songs. It went mostly unnoticed by critics as it was released primarily online, but it was perhaps the best thing recorded all year. This is one of my favorite Beatle songs from the White Album & James captures the essence of the track with the echoed brilliance of the vocals. If ever a cover song moved me I can not remember when one did it like this one. It is not merely faithful to the original, but luminous in it’s own right.

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Oh Mother Dear We’re Not the Fortunate Ones

I have a love/hate relationship with cover songs. There are some that are as good if not better than the originals, i.e. “All Along the Watchtower” by Hendrix (Originally by Bob Dylan), but then again there are those that fall flat, i.e. “Downtown Train” by Rod Stewart (Originally by Tom Waits). So it’s kind of a crap shoot on what you’re gonna get. There are a million covers that everyone has heard so I decided to compile a list of songs that, while well known, are not always covered.

It is quite something for an artist to do someone else’s work & create his own interpretation of it. There are times when an artist has one hit & that hit happens to be someone else’s song, see The Lemonheads cover of Simon & Garfunkel’s “Mrs. Robinson” which was Evan Dando’s Mea Culpa though it wasn’t his song. In this case it’s because The Lemonheads are bad at music. Here are some covers that I think you may enjoy, because I did & I’m a music genius, when talking about other people’s music. I pretty much can only play “Suicide is Painless” (The Mash Theme) on guitar.

Okie From Muskogee (Merle Haggard) – James Taylor

Girls Just Wanna Have Fun (Cyndi Lauper) – Ben Gibbard from Death Cab For Cutie

Thunder Road (Bruce Springsteen) – Matt Nathanson

Jealous Guy (John Lennon) – Donny Hathaway

When the Levee Breaks (Led Zeppelin) – Jeff Buckley

The Weight (The Band) – Gaslight Anthem

I Want it That Way (Backstreet Boys) – Ryan Adams

Bang, Bang (Nancy Sinatra/Sonny Bono) – The Raconteurs

Two of Us (The Beatles) – Aimee Mann & Michael Penn

Suspicious Minds (Elvis Presley) – Pete Yorn

You Ain’t Going Nowhere (Bob Dylan & The Band) – Joan Baez

Chim Chim Cher-ee (Dick Van Dyke & Julie Andrews) – John Coltrane

New Releases June 23, 2009

These are the new albums that I think are worth purchasing this week. “Poor men wanna be rich, rich men wanna be king”* edition.

The Very Best of Don Henley – Don Henley

I have never been a huge Eagles fan. Their brand of soft country rock just never did it for me. That being said I am a fan of Don Henley solo & so I was quite excited to see he was coming out with a Best of album. I love greatest hits/best of albums because it’s like instant gratification. All the hits, all the classic songs right there with out having to listen to some nominal track made as filler. Unlike last week, when we saw two relatively modern bands release greatest hits albums to revive somewhat dormant careers, Don Henley has been in the game since the 70’s & it’s about time he released a comprehensive Greatest Hits album that is worth purchasing.

Don Henley – Boys of Summer

Back & Forth – Pete Yorn

Starting with musicforthemorningafter I have been a huge fan of his brand of Springsteen inspired Jersey Rock. I’m pretty excited about this new album based on the first single “Don’t Wanna Cry For You”. Recorded in Omaha, Nebraska of all places & produced by Mike Mogis Back & Forth is his fourth album (no pun intended on my part). This is a must buy for any Pete Yorn fan & if you for some reason have yet to discover Pete Yorn, go to Amoeba find Musicforthemorningafter used & enjoy all that Mr. Yorn has to offer. Listen to him cover Bruce Springsteen’s “Dancing in the Dark”.

Pete Yorn – Don’t Wanna Cry For You

Pete Yorn – Dancing in the Dark

Middle CycloneNeko Case

Started out in Punk Rock Bands in Vancouver, sang with the New Pornographers & now is a country singer? Not quite. Labeling Neko Case as merely a Country music singer is doing her quite the disservice. Labeling her period is diminishing her talent as a female force of nature. Her voice is reminiscent of Emmylou Harris & along with Kathleen Edwards is providing a resurgence of extremely talented female alt-country artists (there I go labeling her) .

Neko Case – People Got Alot of Nerve

Murdering Oscar (And Other Assorted Love Songs)Patterson Hood

This may be the most highly anticipated album for me all year. I love Drive-By Truckers & Patterson Hood, being the lead singer, is the main reason with that distinct Alabama Twang in his voice. They toured with Booker T of Booker T & The MG’s as his backing band this summer, but this is all Patterson. His second album does not disappoint while being different from DBT’s it is still a fantastic album with a different edge to it than his group stuff. Considering he said, “I was 14 years old when, ‘Darkness on the Edge of Town‘ came out & it changed my life.” That’s a man who knows what good music sounds like. So I’ll give you two songs from Senor Hood. The first is from his new album & the second is a killer live cover of Bruce Springsteen’s “Badlands”. So good!

Patterson Hood – Pride of the Yankees

Patterson Hood – Badlands (Bruce Springsten Cover)

*Bruce SpringsteenBadlands (Live in Milan – 1985) – Since my favorite artist seems to be so many other artists inspiration thought I’d throw this cookie your way. Enjoy!

Mixtape #1

Hey, kids, I’m in a weird mood today. I’m kinda thinking since I just wrote a blog stating my hatred displeasure for Jason Mraz that I should put a few acoustic songs that are actually acceptable and good. Songs that show both musicianship, but lack consistent douchebaggery. So here are my top ten acoustic songs that may or may not have started out acoustic but are amazing in this their acoustic incarnation.

#10The Gaslight Anthem ’59 Sound

#9Jackson BrowneSomebody’s Baby

#8The Beach BoysI Should’ve Known Better/Tell Me Why (Beatles Covers)

#7Black Rebel Motorcycle ClubThe Lonesome Death of Hattie Carroll (Bob Dylan Cover)

#6Bob DylanVisions of Johanna

#5 Pete YornDancing in the Dark (Bruce Springsteen Cover)

#4Stone Temple PilotsPlush

#3John LennonImagine

#2Jeff TweedySunken Treasure

#1Ryan AdamsFirecracker

Now, you may be wondering the rationale for some of my choices. It’s simple…these are songs that strike a chord with me in the forms presented. For instance, I am not a huge fan of Imagine in it’s well known form, but acoustic with John Lennon in front of a crowd is unreal to me. So there it is, I think it’s a good mix, but I’d love to read some of your comments on the subject.

2008 Top Ten Albums

2008 was not the best year for new music. I wouldn’t call it a total wash, but it was just average in comparison to even 2007. There were a few that were amazing & a couple were just out on the periphery. Loudon Wainwright III’s album, “Recovery” was good, but a little too weird to fully get into. Lil’ Wayne’s album had fantastic beats & catchy hooks, but the lyrics are average at best, so, to me, it didn’t have the tonal quality that I think a great album must adhere to. All that being said here are my top ten albums of 2008:

10Conor OberstConor Oberst – Generally I have issues with people naming albums after themselves & I am not a fan of Bright Eyes (Obersts’ previous/current band). His voice grates on me like nails on a chalkboard, but something about this album resonated with me & I’d be remiss if I didn’t acknowledge it as one of the best albums of the year.

Mp3 – Conor OberstSausilito

9Blue MountainOmnibus – True, this album was just a redoing of former songs, but they are redone with such vigor and heartfelt emotion that they come across as more poignant now than they ever did before. The alt-country scene is alive and flourishing with bands like Blue Mountain part of that revival.

Mp3 – Blue MountainMountain Girl


8Counting CrowsSaturday Nights and Sunday MorningsAdam Duritz is one of my favorite rock personalities, being that he always has something to say & usually it’s relevant. This, Counting Crows’ first album in five years, isn’t their best but it’s still pretty damn good. The first half of the album is rock oriented like a party on Saturday Night while the second half is mellow and reflective like an easy Sunday Morning.

Mp3 – Counting CrowsCowboys (Live on WXPN)

1492 (Live on WXPN)


7 Mason JenningsIn The Ever – Mason Jennings is Lou Reed if Lou Reed sang folk music. This album was absolutely amazing. I loved it and played it over and over again. Simple melodies with great lyrics make this album something that I’ll enjoy for many years to come. Like I pretty much do with everything Jennings puts out there. My favorite song on the record is Memphis, Tennessee. It personifies everything about that style of music that I love.

Mp3 – Mason JenningsMemphis, Tennessee


6James Hunter“>The Hard Way – It’s odd to see James Hunter and then hear the voice that comes out of this little British man. Reminiscent of old R & B artists such as: James Brown & Wilson Pickett, Hunter is a pleasant change in a world of music that is becoming increasingly similar in all facets. The Hard Way is an album with the main theme being love. With twinges of ska thrown in this may be the funnest album of 2008.

Mp3 – James HunterThe Hard Way

5Jackie GreeneGiving Up the Ghost– Jackie Greene has no one genre you could pigeon hole him into. he is parts country, alternative & blues. Giving Up The Ghost may be his best album yet. With bluesy riffs & mellow hooks this album should’ve achieved more recognition and success than it has, but rest assured if he keeps putting music out like this then it won’t be long until Jackie Greene is on the same level as Pete Yorn and Ryan Adams.

Mp3 – Jackie GreeneShaken

4Okkervil RiverThe Stand Ins – With 2 singers trading vocals back and forth with one sounding like Dave Gahan & the other sounding like Robert Smith Okkervil River has been blowing away the music scene under the radar for quite a few years now, but with the Stand Ins they’re finally getting the recognition they deserve. It’s an absolutely brilliant companion piece to 2007’s The Stage Names which it was intended to be a double album with.

Mp3 – Okkervil RiverSinger Songwriter

Lost Coastlines

3Kathleen Edwards Asking For Flowers – If you don’t know who Kathleen Edwards is & it’s very possible you don’t, then you’re missing out on one of the best female voices around today. Not only is she beautiful but lyrically, melodically & musically she is superb. Asking for Flowers followed the tradition of her previous albums Back to Me & Failer by keeping basic finger picking guitar melodies with complex heartfelt lyrics. As evidenced in the song Scared at Night. The pain and passion that comes across in Kathleen Edwards’ voice is enough to bring a grown man to the verge of tears. Not this grown man, but a grown man.

Mp3 – Kathleen EdwardsScared at Night

2Ryan Adams & The CardinalsCardinology – It’s no secret that I think just about everything Ryan Adams touches is gold, but I was particularly struck with how good this album was. It took me a long time to really get into Easy Tiger, but with Cardinology I really felt it from the beginning. Ryan is easily the best lyricist of this generation. I don’t think it’s a stretch to put him on par with Bruce Springsteen if not Bob Dylan. It has the band still entrenched in that steel guitar sound the Cardinals are famous for without compromising that rock sound that Adams loves.

Mp3 – Ryan Adams & The CardinalsEvergreen

Sink Ships

1Jakob DylanSeeing Things – This is about as stripped down bare as an album can get. I saw the Wallflowers twice once at the Palace in Hollywood and once in Petaluma & the main cog that held that band together was the brilliant writing and voice of Jakob Dylan. Not merely a famous son he is in his own rite a talented musician with one of the best albums I have heard in a long time. That is not mere hyperbolic conjecture on my part, this is a beautifully composed album combining elements of folk, blues and country which is the reason it is my favorite album of 2008.

Mp3 – Jakob DylanWill it Grow

All Day & All of the Night

Rolling Stone Writer’s Lack of Vision

I thought writers were supposed to be self effacing , self critical and self loathing people with low self esteem. Why should the fucking writers at Rolling Stone dictate what’s good and what isn’t? Case and point or is it Case in point?I think the former. I digress, there is a band called Television on Radio that is absolute crap. They may be the worst thing since She Wants Revenge or even worse. They may be as bad as Matisyahu. Their new album would surely end the war in Iraq, quickly, if we blasted it WACO style.

Rolling Stone says it may be the best album of the year…OF THE FUCKING YEAR! It’s not even the best album of the day it came out. Meanwhile, Pete Yorn’s new album “Nightcrawler” (get it today) is given two stars and called mumbling boredom. While I admit that’s a great line it is not indicative of how truly good this fucking album is. I love it!!! I’m no fascist. I understand everyone is entitled to their opinion, but shit get a fucking clue. Weird shit doesn’t make it some kind of experimental brilliance (my line) it just makes it weird and in this case completely fucked.

Shame on Rolling Stone for being moronic. Wait I’m having a thought, my brain is twitching, maybe I’ll make an album of koala’s fucking and throw a drum beat behind it with a fucking tuba and call it oh I don’t know Koala’s Inc. I could make millions and win the undying adulation of every major magazine publisher out there.